Our brilliant DOP and Editor Matt came up with a really appropriate technical solution for this one. Our target audience was in their early 20’s so he suggested shooting the majority of this film on the latest 360 camera.
This means the camera team for once can’t be any near it so we had to rig the camera on our talent, place it on trays or have them carry it on a stick whilst we watched remotely on a phone link. Lots of rehearsals and choreography got us to the right place and a result that really worked for our client.
